'Figure of Speech and Ancient Greece Essay\r'

'Modernity has for sure evolved from the time of the ancient Greece. However, the advancements in engineering have not necessarily created a Utopian society. In â€Å"Icarus,” a song by Edward land, a mythological parting is placed in the bustling and oxymoronic world of the modern world. Figurative language, irony, syntax, and perspectives are essential elements of Field’s motility of Icarus, whose relocation exposes an alienating and unrelenting 20th deoxycytidine monophosphate aspect. Irony and contrast are in a flash evident as Icarus’s report card unfolds in the second millennium of the familiar era.\r\nBeginning be depicting the shot and its inhabitants, the speaker highlights some oxymorons in current behavior. Witnesses to Icarus’s mishap run hit to a â€Å"gang war,” a poisonous satire of urban life and ironic reversion of roles in just iodin line. Furthermore, Icarus’s report at the natural law station is â€Å"fi led and forgotten,” one element denying the purport of the other. In addition to this, modern practices fall divulge to contrast those of Icarus’s original setting; in ancient Greece, tales were not written further sang, and they certainly weren’t forgotten.\r\nThus, though lacking mention to the sensation, the first stanza subtly implies immediate differences betwixt Icarus’s handed-down home and his new one. The second stanza begins with besides other juxtaposition of the original and the limited; while the foolish Icarus would have been deemed â€Å"unruly” in his times, he becomes â€Å"nice Mr. Hicks” in modernity. As the speaker begins to describe Icarus directly, another allusion to modern tenets is made; Icarus’s effort â€Å"concealed blazon,” which we soon find out though that they are not the â€Å"arms” utilize in gang wars still those with which he attempted flight.\r\nIcarus’s neighbors cannot compass his sadness at the failure of his deed, though, and the patch up time (and air) traveler does not proclivity to upset them by revealing the truths. In this case, a metonymic â€Å"front yards” is used by the speaker to symbolize the suburban lifestyle and â€Å"moralistic” attitude of the large number surrounding Icarus. In creating the final analogies and contrasts between the past and present Icaruses, the speaker draws into the sad hero side of the protagonist and uses it in a rhetorical question at the end of the second stanza.\r\nUnfortunately for Icarus, it seems, he did not fall to his death but to the â€Å"middling stature of the merely happy”; he cannot find serenity in an environment where personal judgment (Icarus’s neighbors) cannot reconcile with the group activities (participating in committees and locomote commuter trains). Using anaphora, the first cardinal lines of the third stanza convey Icarus’s hanker fo r tragic departure, juxtaposing nightly reflection and occasional attempts at flight.\r\nLacking the success he had in the past, steady though it had represent him, Icarus comes to the conclusion that his role would have been very much more satisfactory had he drowned. Field employs techniques of content (contrast and irony) and of how the content is shaped (anaphora and metonymical language). In doing so, he conveys both poetically personal reflections and an effective change of Icarus’s setting, shaping this work as an even more tragic story for the protagonist than his death in had been.\r\n'