Art of the United States

creative personic production of the United States Out of all the plant life of art with in the Art of the United States exhibit in the San Diego Museum of Art in Balboa Park, Shipwreck by Thomas Doughty really make an impression on me. It is a 25 x 30 ? in. fossil oil on canvas. The reason this painting caught my eye is because it has two especially fantastic qualities. First, Doughty rarely painted seascapes, and his paintings usually focused on the lyrical aspects of nature rather than the threatening ones.Shipwreck was composed in the artists studio from elements borrowed from different locations. The painting is symmetrical with trees blowing in harsh winds on both side. The swaying trees expect to barely be holding on to the rocks on which they stand. ill clouds lurk in the distance that augment terror that the crashing waves bring to the viewer. yet beyond the vanishing point of the ocean, a horizontal line of reddish chickenhearted breaks up the dark color of the o cean and the clouds.The gentle blended lines seem to celebrate the wilderness of the United States during the eighteen hundreds. The curved lines strengthen the try of the ocean and the clouds. The color scheme seems to be unified and the overall dullness and darkness of the painting intensify the violent and even theatrical depicting of a storm. There is a tiny pulp that stands both at the center of the storm and at the center of the painting.I think the artist painting this painting because wants viewers to be able to identify with the clarification central lone figure. He stands alone and helpless watching the transport break against the rock just offshore. It appears he is watching the figure instantaneously to his right struggling in the rampant surf. During the 1800s shipwrecks were very common and many people could easily have identified with the tiny figure standing in the midst of the raging storm. The painting evokes both cultism and fear in me. The rash of mother nature seems to be unstoppable.